|
|
|
|
|
|
|
"Can signals on a second card be sent to effects units on the first card?" After swearing up and down that it couldn't be done, some of our early users proved to us that yes, you can do this, and here's how. The secret is to route auxiliaries 3 and 4 from Card 2 into Card 1's effects, and from ...but there's a gotcha ya gotta watcha. If you have a newer system (300MHz or faster), Card 2 may not properly align itself with Card 1's wordclock setting when C-Console is loaded, so you may have to force it to align if the routing doesn't seem to work at first. Simply open the Preferences dialog from the View menu, press CARD 2, select 44.1 and then select Serial again. This will insure that Card 2 transmits and receives from its serial cable as it should. "How do you route the output of one effector into the other?" You can't do it in one pass, unfortunately. The easiest way is to record the output of one effector to disk at the highest compatible resolution your hard disk recorder can handle to prevent signal degradation, and feed that recorded signal into the second effector. Clumsy, but unfortunately Yamaha disabled aux sends 5 and 6 for channels 21 to 24 to prevent nasty feedback loops so there's really no simpler way of doing it. It's also possible to use fancy routing on your hard disk recorder by routing the effect return channel pair 21 and 22 into a different channel pair on the recorder's mixer and rerouting that signal into aux 6, but the ability to do this will depend on whether your recorder software will support it. You'll also need to be careful with feedback issues when using this type of routing. "How do you set the pans on buses?"
"How do you do 'triggered gating'?" This is covered in the explanation of the dynamics editor dialog in the C-Console DS2416 helpfile. This helpfile is available as a separate download if you didn't get a copy of the final C-Console DS2416 helpfile with your version of C-Console. "What's the trick for changing meter colors?" Right-click over the meter with the Ctrl key held down and you'll see a single-item menu: Color. This opens a Windows palette selector that you can use to select a new meter color. (Overload will still be shown in pale red, so don't choose that color!) You can select a different color for literally every meter on the main control surface, allowing you to color-code channel groups. |
|
|
|
"How do you add spaces to preset names?" Since the space key is reserved in this particular control, you'll need to press Shift+Space to insert spaces in preset names. Naturally, Shift+Enter is used to start a new line. "Why can't I record from the card inputs in any application unless C-Console is open and connected?" Don't take it personally. It's probably the DS2416's WAV drivers, and they're at that awkward age where they just have to do things their way. You were that age once too, so try to be understanding. Humor the WAV drivers by doing it their way. That means using DS2416 WAV Driver #3 if you're recording from the analog ins, or #4 if you're recording from the digital input. "Why am I getting crashes after installing the latest C-Console update?" This could be the result of DLLs left in memory from running C-Console before you installed the update. The best way to handle any update to C-Console is to completely uninstall existing copies of C-Console and restart Windows before installing an update. Uninstalling will not remove your profiles, libraries or preferences. These will all be available to you after the update provided that you reinstall the software to the same directory as the previous version. It will insure that all outdated files are completely and properly replaced. "Why do I have latency when controlling DS2416 channel gain from another application?" This is happening because you're not actually controlling the gain from within the DS2416. What you're actually controlling is gain before the signal reaches the DSP Factory. If you need real-time control over DS2416 faders or other controls, you need to control the card directly from its control surface or remotely via MIDI. The MIDI configuration sample task in the helpfile shows how to do this. This helpfile is available as a separate download if you didn't get a copy of the final C-Console DS2416 helpfile with your version of C-Console. |
|
|
"Does C-Mexx contract with CCS?" If you mean the CCS that contracts "piracy control" services to audio software publishers, then no, we do not. If you mean the CCS band from Britain that made brassy rock albums in the early 1970s, then...well...that's a no too; we're more Tower Of Power fans. Seriously, we are aware of their services but feel that there are better ways of handling the issue of software piracy. We do not feel that the employment of private agencies to police pirate software traffic is appropriate or productive. We are aware of a movement in some circles to boycott companies which employ CCS' services, but we will not support or condone this boycott. We want to make it clear that while we earn our living creating audio software, we do it first and foremost because we love the music. As long as the thrill of finding a new trick or technique is greater than the thrill of making another sale, we couldn't act in good conscience in a way that is less about music than it is about money. "Is there any way I can get C-Console for free?" Well, yes there is, but you're not going to like the answer. You can always get a free 30-day trial version of the software, or you can get a full free version by becoming a C-Mexx employee or distributor, or you can win a copy in a contest (assuming you can find such a contest), or you can masquerade as a rich capitalist willing to invest millions in development and distribution, or you can come to Germany and take us all out to dinner (but it would have to be a really nice dinner), or you can receive a copy as a gift, or you could do that "P-word" thing...you get the picture. We don't give away C-Console for free. We worked very hard to produce this software, and let's face it...the DS2416 is not exactly a cheap piece of hardware. If you don't feel that a small fraction of the cost of your DSP Factory is a worthwhile expense for the additional flexibility and functionality that C-Console adds to it, that's your choice to make. "Why can't I get MIDI sync to restart in the correct location and follow song pointers in my sequencer?" C-Console is designed to be the master device when syncing to sequencers (software and hardware). You should find life a lot easier if you let your sequencer be the slave device rather than the master. You may be able to get it to perform as slave if you manually "rewind" the transport every time you restart your sequencer. We expect to have this problem solved by version 1.4, which will include a completely overhauled synchronization and automation engine. C-Console won't start and tells me that there's a bad DLL file...what file? Likely it's a MIDI driver. Driver files are specialized DLLs. This could occur if you're not using a 100% compatible MIDI MME device on your PC (e.g. an oddball MIDI driver on a notebook or supplied with a cheap audio card). You can usually solve this problem by downloading and installing Hubi's MIDI Loopback Device on the PC with the problem. This should solve the problem, but it may not solve hardware connection problems if the MIDI driver really is an oddball. You may have to use a different MIDI card if you can't pester the manufacturer into releasing a fully-compatible 32-bit MME MIDI driver...and if the card is especially old, you might not be able to find a 32-bit driver compatible with the hardware and your Windows version. |
|
Main > Products > Newsroom > Support > Downloads > Distributors > Developers > Contact |
| Copyright © 1998-2000 C-Mexx Software. All rights reserved |